Sunscreen Film Festival 2016 Spotlight: Screen Siren Julie Moss


We hail the undeniable flair of actresses and Julie Moss fulfils the storytelling aspects with diverse artistry. In the feature “Shooting The Prodigal”, Julie embodies the magnanimous facets of her character Esther to a tee as the story centres on Esther’s pastor hubby Brother Bob Cross ambitions to make a movie. She accentuates the bond between her Esther and her husband Bob played by Paul Wilson with an enchanting lightheartedness. It’s definitely the antithesis of the figure she assumed in “Scarlet’s Witch” just recently. The indie horror genre is well known to be my creature of comfort with the battle between darkness and light very much an enthralling feed for the eyes. Would love to see Julie in a show like “Penny Dreadful” with characters constantly towing the fine line of good and evil.

Here’s the ever gracious Julie talking about her role in “Scarlet’s Witch” and a fascinating insight into some of her most memorable roles:

“Scarlet’s Witch” is a grown up scary fairytale! I play the witch, and I scared myself! I had to let go and let the ‘bad’ me have free reign, which was freeing and lovely! Had to entice the lovely actresses who played young Scarlet, and grown Scarlet, into my web of hate and jealousy. Seeking the fountain of youth, I play a desperate and bitter woman and actually based the character on a couple of people I used to know; women and men who never were happy for anyone else, who were always trying to manuever themselves into people’s lives in a very underhanded way. The words I would use to describe the ‘Witch’ are conniving, jealous and bitter. Boy, was it fun to play that! The director, Fred Rabbath, described the witch as ‘ugly’ in soul. I think I did that. Horror films, for me, come in two forms. The physical horror and, even deadlier, psychological horror.

I am used to playing ‘Mom’, ‘Obnoxious Wives’, “Long suffering wives’, and ‘Rabble Rousers’, and have done so in “Catching Hearts’, ‘Driven’, ‘Listen’ and others. The most fun I’ve had playing a character, besides the ‘Witch’, was the character of ‘Layla’ in “Rockabilly Zombie Week-end”, an over-the-hill Snooki, complete with heavy Jersey accent and red and black wigs!!! Fun!

With her profoundly earnest spirit on all things film and her polished displays as an entertainer, it’s time to acknowledge the entrancing facets of the graceful Julie Moss.

Sizzling Cutie: Elle Roberts


The enchantingly lissome actress Elle Roberts is imminently ready to blossom with striking verve. She can be seen on TV and Film in a capacity that’s tragic to the characters she play in some degree. First up in the new CW drama series “Containment”, Elle guest-stars as Elizabeth Franklin, a young woman who is exposed to the deadly pathogen that’s plaguing Atlanta. One can sense the irony what with the pandemic erupting in of all places the base of Centers for Disease Control and Prevention (CDC). With a grim spectre hanging over the fate of Atlanta’s residents, can Elle’s Elizabeth survive having seen herself trapped in a cordon sanitaire which to some might sound abhorrent. Especially since the alleged virus has been seemingly engineered by unknown parties and will have an intriguing bearing in future episodes I’m sure. The disease however doesn’t seem to care about social status, race, gender and even if you’re a good person, comprehensively infecting at will affirming that the mortality of human life has always been on a precipice of the unknown.

Kudos to Elle’s palpable performance of a victim of circumstance overwhelmed by the harrowing epidemic. Having seen my own mother fighting for her life this past week due to the pneumonia bacteria gives me a poignant perspective of the mini-dramas evolving in “Containment”. This is by far one of the shows I’m relating to the most on account of my own familial adversity. So will the families of the Columbine Shooting that took so many lives back in 1999. The film “I’m Not Ashamed” recounts the life of the very first victim Rachel Joy Scott and sees Elle essaying the role of her best friend Celine who is in actual fact an amalgamation of people Rachel wrote about in her journal. Elle cites rawness as a beautiful aspect in acting and as Celine, she’s definitely in a dark place. With her propensity for challenging roles, we can’t wait to see the luminous Elle as one of our endearing favourites.